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・ Robin Miller (nurse)
・ Robin Millhouse
・ Robin Milner
・ Robin Minard
・ Robin Mitchell
・ Robin Model High School
・ Robin Monotti Graziadei
・ Robin Montgomerie-Charrington
・ Robin Moore
・ Robin Morgan
・ Robin Kevan
・ Robin Kibuuka
・ Robin Kinahan
・ Robin King
・ Robin King (priest)
Robin Kinross
・ Robin Klein
・ Robin Klein (venture capitalist)
・ Robin Knoche
・ Robin Knowles
・ Robin Knox-Johnston
・ Robin Kohn
・ Robin Koontz
・ Robin Kornman
・ Robin Korving
・ Robin Kovacs
・ Robin Koval
・ Robin Kovář
・ Robin Krasniqi
・ Robin Kreibich


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Robin Kinross : ウィキペディア英語版
Robin Kinross
Robin Kinross (born 1949〔http://www.eyemagazine.com/feature.php?id=194&fid=884〕) is an author and publisher on the topic of visual communication and typography. His most significant work is ''Modern Typography.'' He is a proprieter of Hyphen Press, which publishes books on design and typography.〔http://www.hyphenpress.co.uk/authors/robin_kinross〕
Kinross did undergraduate and graduate studies at the Department of Typography & Graphic Communication at the University of Reading. He moved to London in 1982. In the 1980s he contributed content to publications such as ''Blueprint'', ''Baseline'' and ''Eye''.
Kinross started Hyphen Press in 1980. ''Modern Typography'' was published in 1992. Since the 1990s, Hyphen produces about "two to four publications a year".〔http://www.eyemagazine.com/feature.php?id=194&fid=884〕 Important publications by Hyphen include Christopher Burke's ''Paul Renner'' and Fred Smeijers' ''Counterpunch''.
==''Modern Typography''==
''Modern Typography: An Essay in Critical History'' is a critical history of printing and typography. Kinross asserts that modernism in typography emerged with the self-awareness of printing and the development of the rationality of its processes and tools.〔Kinross, Robin, Modern Typography: An Essay in Critical History, Hyphen Press, 1992.〕 Kinross dates these emerging attitudes to around 1700 and then traces the evolution of modernist typography. According to Matthew Carter, "Most histories of typography, particularly British ones, have been histories of traditional typography that treat Modernism as an aberration. Studies of Modernism, for their part, have tended to isolate it from contemporary traditional typography. This book aims to break down that separation by considering issues other than visual appearance, and by avoiding the ‘bibliophilic nostalgia’ so prevalent in typographic culture."〔http://www.eyemagazine.com/review.php?id=36&rid=309&set=370〕 The book takes some inspiration in title and treatment from Kenneth Frampton's ''Modern Architecture: A Critical History''.〔http://www.hyphenpress.co.uk/journal/2000/08/21/kinross_interview〕

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